Beholding the beauty of brooches

brooches jewelry types

Quaint or contemporary, artistic or sophisticated, plain or gilded assertions in the functional show of them, brooches make for a type of jewelry more multifaceted than any other. Even in not being the most commonly sported piece of adornment, these utilitarian pieces of accessory have well stood the test of time since their foremost prominence occurring across the years of the Bronze Age to the modern day along different dimensions of their route in eternal continuance. For despite their not as evident line of vision along the jeweled fore, both in bedecking or in necessity, brooches have still stayed relevant in all of their pinnings upon the garb of humans all through. Indeed emerging as purposeful devices in catering to the fit of clothes and in holding them together or in their place and taking upon expressions of aesthetic while also simultaneously delving upon personal realms of the sentiment and adhering to cultural norms of the relevant times have been these striking sights that the brooch reveals itself as, as a fashion entity that has never really subsided into the outdated alleys in its more than singular line of eminence.

Brooches might have been recorded in history as dating back to the Bronze Age and while that itself is some considerable going back in time in history, the fact of the matter is that they even predate this much consolidated opinion of their beginning. As extremely important functional assertions is securing clothes upon the human body, brooches began out as existences devised out of thorn and flint before going on to acquire identity in metal dimensions instead. Even in their play across the sheets of metals, brooches still held on to their largely utilitarian premise of being till until the 3rd century. It had been only during the Roman- Byzantine period corresponding to this specific time in history that jewelry began to be the associated domain that brooches managed to tread. The functional fore still prevailed though in being the fulcrum of identity around which brooches worked and does indeed till this day but with more design and aesthetics worked into the fastening essence of these humble pieces of essential presence, brooches began to encompass every aspect of the sightal from the simple and basic to the ornamental and extravagant and allowing of course for customisations and statement assertions to entail out of them as well. In fact so profound has been the aesthetic exploration that brooches have seen themselves span that every single design in specificness availing to them in distinct periods of time and across definite dimensions of space all through each hold their unique essence that has in fact facilitated the classification of them in various types and kinds along their journey in evolution.

Celtic Brooch

Perhaps the earliest of brooch types in that it can be distinctly interpreted to refer to that certain style of the Early Medieval period would be the Celtic brooch. Also called the penannular brooch, this features a long pun placed centrally across the diameter of an open ring that allowed its use as cloak fastener by the Celtics as well as the Vikings. Prominent in the Scotland and Ireland of those times were these iron, bronze or copper brooches that formed as an incomplete ring which is why the penannular name of them. Convenient indeed in that they could be worn without any permanent dents made upon the cloth and particularly efficient in their purpose of fastening cloth, these were common to both men and women as brooches that began out as rather ornate revelations before toning down to encompass more ordinary essence. Associated to this type of Celtic brooches would also be the ones that found prominence during the Viking Age that though were larger did away with most of the ornamental essence of the earlier ornate ones. Usually made from silver in designs rather plain but that which occurred still as ornate enough in the form of them were these Viking brooches making for visions in numerous renditions. Most popular was the thistle design that might be interpreted as some form of the later variant recognised as foliate brooches but would still occur as largely Viking a design of them.

Cameo Brooch

Adorning the ornate premises of the brooch since times ancient but still most emerging as a Victorian era mainstay had been the cameo brooches specifically associated with the customary ‘Grand Trip’ of what characterised the years through the 17th to the 19th century. Of early Egyptian origins but as adhering to the style sensibilities of the current times particularly in their classic appeal, these are stone or shell carved brooches today most commonly depicting portraits of people as well as images of animals and flowers instead of the myriad narratives unfolding across them like they did during their prevalence in antiquity. Usually round or circular or oval in shape are these brooches now most commonly taking to some semi precious metals or glass or shells as their exquisite expanse of adornment.

Pendant Brooch

Pendant brooches do not entail out of any specific period of time in style history. But they surely are no less truer to the multifaceted aspect across which brooches have traditionally charted out their course in clasping and enhancing the fore of clothing in fashion. As their very name suggests, pendant brooches are those that can double up as a pendant as well as a brooch as and when the need might be. With definite provisions for a neck chain to be attached to them while also sporting the pin of which brooches are most functional through, of course with both these characteristic features hidden in plain sight, pendant brooches make for a dynamic option to own in your jewelry cabinet that can be as striking in their assertion along either run of identity. Of course given how captivating pendants tend to be anyway, pendant brooches are even more effective in their gracing of dresses as a piece of functional and standout statement accessory.

En tremblant Brooch

Easily the most dramatic expression of brooches and one that dwells on a dual medium of delivering that charm in immenseness as well, the elaborately elegant essence of the en tremblant brooches plays out as a sight in striking stupor. With its origin and popularity occurring during the years of the 18th and 19th centuries, these brooches named in evoking the ‘to tremble’ elucidation of the French term en tremblant were anyway spectacular sights in their floral pattern embellished with rose cut or old mine diamonds that glittered and glistened in assertion of all things definitely pretty. But what made the impact of their beauty even more substantial was the certain quirk explored in their mechanism of working. Specially crafted with a creative indeed thin wire mechanism, aptly encapsulated as a ‘trembler’, this spring like equipment in the center of the brooch is what makes it very sensitive to even the slightest of motion. So much so in fact that their very movement in wearing created that encapsulating glittering effect so enigmatically played out across the dimension of the dress. And specifically for a time in history when electricity was yet to light up the world, the even striking shine of the diamonds set upon the en tremblent piece of jewelry, brooch in this case, revealed an altogether different world of wonder under the alluring play of the candlelight romance.

Foliate Brooch

With leaves or floral motifs being their integral theme of decoration, the aptly named foliate brooches made for really pretty pieces of wearing upon the clothed identity of the person. As sights of pleasing prettiness derived right from the trails from nature, foliate brooches are one of the most aesthetic assertions of their kind. But beyond their vision, foliate brooches are also as significant in their symbolic essence as they were typically worn to signify such cherished celebrations as love and friendship.

Aigrette Brooch

Aigrette Brooch
Source: Etsy

Occurring across the dual dimensions of function and flair through which they have established their essence in being but embarking upon a different realm of adorning though are such brooches that can as easily manifest their remarkable reputation along the crown of the human head. Most adorning of hair dos are these aigrette brooches popular for times throughout the 17th to the 20th centuries even when they indeed can as easily deck up clothes as well. An intriguing piece of beauty both in the name and design of it that corresponds indeed to each other, the aigrette brooch takes upon the glittering glamour of jewelry through a very prominent feathery style of it. Akin in appearance to the majestic plume of the egret, these usually stone studded pieces in hued elegance also had the characteristic flair of the plume movement of the birds with the wispy feathers swaying much like when stirred by the winds. Exquisite in their detail and glittering in their gemming setting upon striking strokes of silver, aigrette brooches still made for distinctive pieces of jeweled accessories to flaunt in the nuanced necessity of them.

Bar Brooch

Bar Brooch
Source: Pinterest

In their simplistic playing out in the form of a bar, bar brooches might be one of the more ordinary reiterations of the ordinary jeweled identity of them. But in being an elongated horizontal type of the brooch over the ubiquitous round design or even the many a indefinite geometric forms that generally shape up these fasteners of clothes, the bar brooch has to be the most distinctive still. Originating during the later period of the 1800s and immensely catching up as a trend owing to their diversion from the typical structure of brooches, bar brooches can also be as basic or as extravagantly imagined as one would want them to be. The distinct linear shape of the bar brooch also makes it more effective a deliverance as a style statement when pinned along such areas as the base of a collar or the bodice of a gown.

Luckenbooth Brooch

Perhaps the only style of brooch specific to a particular region and taking upon itself a traditional essence as well, the Luckenbooth Brooch encompasses the forever charming charades of love, with its definite heart shape instantly capturing attention in all its lovely essence. A traditional Scottish love token, the Luckenbooth brooch takes after the namesake entities defining a portion of Edinburgh during the years from the 15th to the 19th centuries piece of jewelry and invokes the idea of those lockable shops where such trinkets used to be sold. Usually playing out in a heart or hearts galore are these brooches that either features a crown above the heart symbol or occurs instead as two intertwined hearts to sum up an image in all the heartwarming renditions of love and devotion even when they tended to be decorative symbols as well later in history. The allusion might be to romantic love or parental love or just about any dimension of the diverse love universe but the Luckenbooth brooch have forever been lauding of this eternal fore of what inspires and sustains the beauty in creation and of life.