Enhancing the photographic expression

importance of outline in photography

A picture can speak a thousand words indeed- the truth embedded in which can be further emphasised if the visage afforded is one of clear construct. Such interpretations of photography might seem to defy the artistic nature of its being and attribute it in much technicality. What however actually emerges through this envisioning is a character of the images thus produced that are even more esteemed in their quality of occurring as a technological art. Because that’s what photography essentially is and any technique that strives to depict it through such draw of outline only honors the soul of what this aesthetically practicable domain asserts as.

The many elements that are needed to capture a good photograph can be tediously numerous with identities resting upon both the technical and artistic aspects of its attending. From considerations of line and length to light and lens, the composition of this world of pictures is as dramatically diverse as can be. And yet none of these are mutually exclusive considerations, expressing instead as complementary to each other through which is curated as realistic a capture of reality as possible.

Outlining Photos
Source: Brendan Williams Creative

In such continuation of the classic ‘same same but different’ ideation, there abounds therefore a range of characteristics through which photographic presentations can be classified as good or bad- and more (un)exceptionally as sublime or lowly. However one definite thing that can make any visual phenomena thus constructed occur as striking in any of these associated narratives is the way in which they are delineated. This can even occur as an additional effect in photography of describing images in a definite outline such that they command all attention as being the focus of every sight like they intend to be.

This identity of the outline in a context of such representativeness can again be multidimensional. The very essence of what it means to provide a clear definition to your subject of photographing can be interpreted as highlighting its form through a conscious structuring of that physicality. The technique thus employed to achieve this aim can be something much practised in artisticness or it can be rendered as an aftertouch processing of the image. Either way the intention in consideration is invariably evident- either in good or bad taste but never unremarkable enough to avoid attribution.

outline in photography
Source: www.nfi.edu

The importance of outline in photography might be easy to miss out on due to it not manifesting as a universal feature across all styles and genres of capturing. Indeed it might not be an indispensable something of the camera’s accord in depicting segments of reality or even figments of imagination sometimes. But as and when this drawing of the boundaries assert through the realm of photography, the impact created is definitely unmissable.

Adding this extra dimension to photos is one of the most effective means in delivering a picture that speaks for itself in terms that is as creative as it is assertive. The aesthetics of it are easily decipherable- so prominent is the extent of such redefining that easily catches the eye. The principles through which such effect instant ‘gratification’ of the visuals are accounted for are numerous- the creation of a contrast being essentially the foremost ground for such identification. Associated nuances of other photographic identities like the figure to ground composition for instance can also find exploration through this image obtained out of the camera lens.

The creative liberties that can be availed out of employing the outlined considerations are enormous as well. Through this singular principle as basis that can be worked out in differential interpretations of the technique would be stirred some specifically distinct genres and styles of photography altogether. The mention of silhouette would strike as one of the most well known draws upon this element even when this version of identity is not exactly adhering to the set definitions of what a outline expresses as in all clarity. That though should not dawn as very surprising a segregation that exists since the importance of outline rarely plays out in self explanatory terms within the photography consideration.

Source: Pictorem.com

Instead what commands identity in serving as an outline while capturing images is as simple and at the same time as complex a understanding with no any one marker of universalness. Outline can be casually understood as the borders defining a shape. The reference assumes a lot more substance if the interpretation tends to being a deliberate ploy in drawing attention to some particular facet amongst the many that are depicted. It then is the intention of evoking through a particular draw of image outline that determines the extent of importance it bears as a concept in photography.

The character unfurled through outlines would also be necessarily incongruous depending on the manner of its attaining. ‘Illuminating’ the borders of an image as a post processing practise made possible through dedicated apps is one of the most convenient ways to project photos as unique works of art- albeit arrived at upon a pure technological premise. The inherently artistic conceptualisation of the capturing process as one that relies on creative contours of everything from lens focus and photographic light to even the nature of what is being focussed on in certain cases since not all real objects- in this case the photographed subject- equally entertains this prospect of enhanced representation.

dramatic outline effect post processing images
Source: Ryan Nangle

It is not difficult to gauge therefore from such elaboration that an outline can make for one of the determining factors in which the art of photography comes to amass a greater character. The technical practices in this arena might make for an image that is instantly captivating in its starkly distinctive appearance. The more ‘personally’ conceived dynamics might strike as subtle- this irony in asserting is exactly what brings out the profound being of such composition. In either of these modes of its practise, the underlying consideration is one of a pronounced projection. Isolating the form and shape of the subject such that it finds expression as a singular and individual identity for whatever effect intended is the core construct making outline a common yet unconventional element of photography.